Attention, Space, Geometry, Frame, Multiple Frames, Sequence, Adding Frames
play with some camera relationships: camera as subservient, curting your image…
movement explorations: what it feels like to hold/be in front of the camera
“i’m drawn to answer to its gaze” -Yildiz
I’m thinking about communicating with someone else who is not the camera person
Trying to care aoubt posture
Playing with my frame, looking at the actual person
Sense of the camera, even when I don’t see it or face it, my attention is going back and forth
-what feels good/restrictive about working with a partner instead of the whole grou?
-what happened with camera relationships this time? how did it feel to be able to pick it up and set it down?
-how was it to do more moving with the camera?
I see lots of feet this time, lots of kicking
i see fun being had
i see performative bodies composed with intentional weight, space, shape, time, effort
i wasn’t afraid to look at the camera, less tension
trying to avoid the camera and performing for it too
-facing your own truth/how you look