About The Maya Project

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THE MAYA PROJECT is actualized in live performances in virtual space, galleries, and cinema spaces; video installations; and practice-based investigative workshops. This work can be translated into full courses or guest lectures.

This project was named perhaps a bit dramatically, but nonetheless earnestly, for Mayas Angelou, Deren, and Lin. Angelou, for intentional composition, immediate action, and multidisciplinary study; Deren, for powerful framing, movement, and complication of time; Lin, for purposeful visual landscape, sense of scale, and activating 3 dimensional space.

The Maya Project is a series of investigations that utilizes dance and the camera to interrogate dominant social and cultural structures in acts of viewing, framing, editing, and sharing. In this process, participants engage in discussion and physical inquiry that considers the camera as a tool of archive, composition, transmission, and inclusion/exclusion. This work examines the relationship between humans and cameras, how acts of cyborging (picking up and utilizing the camera to capture a human perspective) shifts power dynamics, how consent and agreement come into play, and how gaze is affected in this act. Dance improvisation is utilized in this process as a way of privileging the moment of occurrence as opposed to an end product, which is complicated by incorporating the camera (a tool intended to be used to make a revisitable product) into the ephemeral act.

Collaborators in this work act as both movers and camera operators. They are participants with the camera frame, as opposed to subjects of the camera frame, an act of democratizing the traditionally accepted singular role of framing/capturing footage. The conceptual content of each of these events is not singular, but is expanded to include each participant’s point of view. The piece itself is considered to be a combination of the multitude of perspectives in the room. In a moment of cyborging, the camera’s point of view might represent, and thereby capture, the point of view of one of the human participants. The camera’s point of view might also, at any moment, be abandoned. The point of view of the camera is considered, but not solely privileged. Therefore, these events are too multiple to be re-experienceable.


Contributors to The Maya Project include:

Second Working Group: (2019-2020)
Davianna Green
Yildiz Güventürk
Dian Jing
Laura Patterson

First Working Group:  (2018)
Brianna Johnson
Claire Melbourne
Katherine Moore

Workshop Participants: (2018-2019)
Hailey Armdaeng
Victoria Bell
Sarah Bodony
Jacqueleen Bordjadze
Demetra Chiafos
Sophie Claman
Jacqueline Courchene
Isaiah Harris
Caitlyn Higley
Taylor Hurd
Ishmael Konney
Abby Koskinas
Andrew Johnson
Brianna Rhodes
Miranda McGovern
Meledi Montano
Andrea Moses
Laura Neese
Michaela Neild
Maxi Riley
Sydney Samson
Jaquie Shoshaki
Michelle Sipes
Kylee Smith
Sophia Smith
Molly Stanton
Eddie Taketa
Sarah Wagenmaker

Additional Guidance:
Norah Zuniga-Shaw
Susan Kozel
Ginah Osterloh
Dani ReStack
Dave Covey

Artistic Support:
Bita Bell
Emily Craver
Josh Anderson
Sean Corey
Jeremy Stone

MFA Project Committee
Professor Daniel Roberts
Dr. Harmony Bench
Dr. Roger Beebe

Additional Collaborators:
Dreama Cleaver
Chris Cogell
Jazelynn Goudy 
Kaiya Gordon
Lynn Kim
Laura Rodriguez
Kat Sauma